A travel blog post about my first week returning to Bangkok. Read it here: https://bkk-writing.blogspot.com/2019/10/nexus-6-its-just-bangkok-man_12.html
My take on moving forward and why it’s a good thing! Read it here: https://bkk-writing.blogspot.com/2019/07/re-imagining-bangkok.html
Moving to Bangkok has been very formative thus far. Among other things, this city has challenged me to enter states of discomfort linguistically, energetically, intestinally, sometimes interpersonally. But this has not been a bad thing. I think it has been the kind of discomfort necessary for growth. As I approach six months in Thailand, I can say without a doubt that I have evolved. My sense of who I am as a social being has changed; the way I envision my future has changed; and the way I contextualize experience has changed radically.
In fact, I’ve been spending so much time absorbing this culture, trying to grasp its surfaces and my relation to them as an outsider, I haven’t had much time or space to work on anything beyond the most essential concerns: my teaching, my fiction writing, my day-to-day wellness. Everything may be constantly changing, constantly in flux no matter where we are, but the speed of change in Bangkok, the sheer pace of life, could be legitimately described as overwhelming.
I’ve had to allow for a certain adjustment period. And I’m lucky in that I work with a fascinating group of English teachers who seem to include a high degree of cultural adaptability as part of their professional skill set. So I’m in good company. I live in a very friendly hybridized intellectual space, which has helped.
But still, the sense of space in Bangkok, its division and reunification, the way it gets compartmentalized (and sometimes abruptly disrecognized) remains mysterious. Human space, psychological space, seems pressurized here in ways I never experienced in the West. The psychogeography of the city—the points where concepts and bodies overtly intersect—is always a matter of relativity, of negotiation, sometimes of extreme tension.
So I don’t have the civic narrative down yet. I’m still learning how this place is unfolding. Every city is a story being told from multiple points of view at once. And this one—the concrete, frenetic, crowded, brilliant, astonishing Bangkok in which I live—remains enigmatic, at least for me.