Holiday Missive #172: Space is the Place

(The following is an exercise in first person voice.  It’s not me saying, “Benedicat mihi pater, quia peccavi.”  Note the difference. – M)

Today, I’m thinking about the 171 other holiday notes I’ve written over the years, ever since I started a diary in the fifth grade.  Admittedly, it was more Dungeons & Dragons than daily observations.  But in 1977, no one but my home-room teacher, Sister Evelyn, would have faulted me for indulging in escapism.  Things were stressful at home and in the world.  Not stressful like they are today, but stressful enough to encourage a quiet fat kid to consider magical flying lizards whenever possible.  I think this was around the time I also started reading the news.

Voyager 2 launched, followed a month later by Kosmos 955.  The first Apple II computers had just gone on sale.  Soon thereafter, not wanting to be left behind, our school got Texas Instruments computers that no one had any idea how to use, especially not the Irish nuns who were our keepers—Are they calculators?  Begob and begorra, for all that’s holy, don’t we already have a box of calculators in the teacher’s supply room?  Meanwhile, Nazi war criminal, Herbert Kappler, escaped the Caelian Hill military hospital in Rome and New York City had a massive blackout that resulted in Snake Plissken levels of chaos and mayhem.  Everyday there were dramatic headines about the Soviets, space, technology, political violence, and murder.  Carter was President, if you can imagine.

On September 10, Hamida Djandoubi became the last person to ever be guillotined in France and the Sex Pistols released Never Mind the Bollocks.  I read about these things in Newsweek, OMNI, Time, and The San Diego Union-Tribune when I wasn’t consuming pulp sci-fi novels, comic books, and HP Lovecraft.  The world seemed like a movie to me, which is probably why I felt I should start writing everything down.  And it still seems like a movie, but one that’s been poorly written for “modern audiences,” one which I no longer want to write about all that much.

I turned nine in 1977 and, two days before my birthday, the Petrozavodsk Phenomenon took place in the sky from Vladivostok to Copenhagen, but particularly over Petrozavodsk, the capital of Karelia, where a glowing object cast streams of fire and celestial rays over the city.  I recall a Union-Tribune op-ed speculating whether the perfidious Russians had finally released a superweapon that was going to do us all in before next Tuesday.

The Petrozavodsk object in 1977.

This was also a time of great fear, not unlike 2023.  But it was a different fear.  Maybe it was a more psychedelic fear with roots in the previous decade.  In the ’70s, we certainly had all the Huxleian herd poison we can now enjoy just by looking at our phones: fear of the other, fear of losing control, fear of unworthiness, fear of failure, even the good old fear of communism, all of it lashed with  social confusion, loathing, and strife.  The same things we see on X, we saw in Letters to the Editor or heard on talk radio.  The toxic sludge just moved at different rates through different channels.

I only took a little of this in at the time, being just as concerned about the adventures of Power Man and Iron Fist as Soviet balls of fire over Europe.  Maybe 1977 was the sort of movie that might have been written by Sun Ra, whose Some Blues But Not The Kind That’s Blue also came out that year, an unsettling kind of futurism, a feeling that something was heading towards us whether we wanted it or not.

In the 170 holiday diary entries that followed, clustered around each Christmas, New Years, Thanksgiving, and Easter like darts around a bullseye, I could trace the progress of my life, if I felt inclined to think of each year as another step forward towards some apotheosis, some place where my pain might end and things might finally be handled.  I don’t want to do that, obviously.  It sounds too much like the finale of the Petrozavodsk Phenomenon, yours truly going up in a flaming sphere of light somewhere above Helsinki.  I’ll stay on the ground, unenlightened, if you please.

There’s a grace in being nothing special.  In memoirs, people love to talk about how precocious they were as kids—as if that validates them or the supreme indulgence of perpetrating an autobiography.  But if they’re inventive writers, we’re usually willing to play along.  As one of the instructors in my MFA program liked to say, “No adult reader is ever that interested in what a kid thinks.  This is why you write Tom Sawyer.”

Ultimately, every kid in a story is somewhere on a spectrum between Tom Sawyer and Little Nell, and if you want people to get onboard with your narrative, you’d better emphasize the former.  Still, no memoirist ever comes out with this much truth: I was slow-witted, alienated, dysmorphic, and not very clever.  The teachers didn’t like me and I caught many regular beatings from older, angrier versions of myself.  I didn’t understand anything.  I read Newsweek.

So let me admit it once and for all: I do not miss 1977.  Having read this far, I bet you can imagine why.  I was no Tom Sawyer.  I was not precocious.  I was mostly a target for emotionally unhealthy people at home and at school, a sad kid who liked to escape into his imagination.  Many decades later, the imagination bit is still true and I hope I’m at least proportionally a little less dense.  But I’m still a sad kid.

This year, the sad kid is doing many things that would have astounded and perplexed his nine-year-old self.  He lives in Hawaii and works full-time in the admin wing of an academic department, where he also teaches from time to time.  He’s married to a lovely brilliant woman.  He’s writing fiction every day (and actually finishing some of it).  He’s studying a Japanese-Hawaiian form of karate.  And he’s healthier than he’s ever been.  He still thinks about flying magical lizards but, in 2023, everybody thinks about flying magical lizards.  This is the flying magical lizard decade.

For this fact alone, Sun Ra would smile on us from space, which he was at pains to have us understand, is the place.  After the pandemic, we know it is.  But not in a Jeff Bezos glass-dome-on-Mars sense.  More in a post-post-modern straight-edge Timothy Leary sense: Turn inward.  Find the others.  At least make an attempt before the next barnyard gain-of-function virus has its way with your respiratoriorum.  And remember, just because a ball of fire in the sky is attributed to a communist satellite doesn’t mean winged fire-breathing reptiles don’t exist.  Think about it.

When I was Tough, Part 18

I watched the first five seasons of Vampire Diaries over the course of a week.  Something like 120 hours of bad special effects, betrayal, and outstanding hair.  During this time, I neither shaved nor bathed.  My apartment acquired a certain foetor unique to hoarders, cat ladies, and the heavily medicated.  Stale soup.  Ritz crackers and cheese whiz.  If you want a bowl, you better wash one.  And that pair of pants draped over the back of a chair?  It’s still wearable.  Smell it. 

When absolutely necessary, I went to the store in my sweats to stock up on frozen pizzas.  Eye contact was difficult and I used the automated check-out with my head down.  I had to move quickly, since whenever I wasn’t focusing with godlike intensity on Bonnie coming into her witch powers or whether Elena was actually in love with Damon and not Stefan, I thought about death.  Specifically, my own.  But also everyone else’s—my mother’s from cancer, my best friend from high school behind the wheel, all the pets I’d ever owned, my neighbor Herb who hung himself. 

I was depressed.  I knew this.  I also knew I had no control over when I might start crying.  Even though I had a certain degree of objectivity about it, I could feel the tears coming on like headlights down a tunnel.  I bought chips, microwavable “Mama Celeste Pizza for One” five at a time, and liter bottles of Diet Coke.  Then I went directly home like any other respectable basket case.

Boys don’t cry.  So I’d practice deep breathing while the pizza rotated and then get to the couch as quickly as possible.  The saga of Damon and Stefan Salvatore was sweet soul medicine: brothers, vampires, suitors for the hand of Elena Gilbert, the hot-yet-down-to-earth high school sweetheart with the body of a 17-year-old cheerleader and the emotional intelligence of a 54-year-old divorced therapist.  I could live with that.  It’s called suspension of disbelief.  I got involved.  I did what a good viewer is supposed to do.  I made myself receptive.  And while watching, I forgot about Herb.  I forgot to about death.  I forgot to cry.  I talked back to the characters and ate Pringles.

At that time, I was sleeping about 2-3 hours per night.  But I was alright with that.  If I didn’t sleep, I couldn’t dream.  And not dreaming helped in any number of ways.  If you had told my younger self that I’d someday be a weepy train wreck of a man, clinging to sofa cushions and a paranormal teen soap opera for sanity, I would have laughed manfully.  I was tough like that.

Where is my mind?

For the last 27 years, I’ve kept a diary in which I’ve made entries three to five times a week in a ritualistic obsession to document my life.  To be honest, I’ve also kept the diary to have someone to whom I can talk.  No one but a blank page would ever care to listen to all my complaints and worries (given their number and variety) and no one should have to.  When I was a child, it was my mother who listened.  Now Microsoft Word is my mother.

Many of the entries are short.  Some go on like essays.  But no matter how voluble or terse, joyful or upset I was when I wrote, I’ve been able to use the entries to bend time—essentially to bring my past more vividly into my present.  As a result, I believe that who I am now is more meaningfully informed by who I have been at various other points in my history, affecting the way I view my present place in the world and my sense of momentum through life.

Bending time is one of the most outstanding benefits to keeping a diary, maybe the only real benefit.  It may sound like a kind of hell, endlessly ruminating over people, places, events, and feelings long gone.  And one does pay a price.  I’d be lying if I said my diaristic habit hadn’t aged me in certain ways while keeping me young in others. 

In one sense, I carry a unique emotional weight.  Some things that happened decades ago may seem like they went down yesterday.  And what is happening right now may resonate in idiosyncratic ways, causing me to react unpredictably.  Why am I so angry?  Why did I find that so funny?  Well, you see, back in 1997 . . . I don’t heal very well from past wounds.  Some things I just can’t let go or forgive.  I wouldn’t even say I hold grudges because that would imply an unnatural or inappropriate degree of ill will or resentment over time.  My ill will and resentment are perfectly natural and appropriate, given my perspective.

I’ve also seen personal themes emerge, but I can’t say whether it’s because of character, destiny, or maybe just selective attention.  I only know that I’ve noticed cycles, repetitions, even echoes across the years.  Situations will happen over and over.  Similar personality types will appear and be magnetized to me or repulsed by me or both in their seasons.  People will say the same things.  Headlines will look the same.  I’ll often (though thankfully not always) make the same stupid mistakes. 

I’ll even have dreamlike moments of déjà vu in which I won’t be sure whether I imagined something, saw it in my sleep, or actually experienced it.  But I think I’ve reached the point where I care a lot less about the distinction between daydreams, actual dreams, misremembered dreams, and lived dreams.  Life really is but a dream and, if I experienced something, it was undeniably an experience. 

Ironically, my compulsive documentarianism has made everything seem a bit relative.  I celebrate many anniversaries, births, deaths, resurrections, departures, (not so) sudden arrivals, accomplishments, magical epiphanies, failures, desperate heartaches, humiliations, dignities, and small quiet moments.  I remember a red leaf from a chestnut tree that I picked up while standing in the German WWII graveyard outside Tallinn; walking behind an NYU undergrad through old town in Prague, how his T-shirt had male and female restroom icons made to look like they were at a wedding and the words GAME OVER underneath; dancing with a girl who’d driven down that night from the Flathead Indian Reservation at a bar called the Iron Horse in Missoula, Montana, the same night a friend of mine got high and chased two fraternity brothers through the frozen streets with a razor sharp hunting knife. 

I remember the night I met the woman who’d become my wife; the moment I learned that my father had been abusing my mother right up to the day she went into cancer hospice; holding my first book of stories when it finally arrived; the day I spent acting in a TV commercial; standing in the ruins of the Hell Fire Club on Montpelier Hill overlooking Dublin on a rainy day; lying down on a grave in Savannah, Georgia, and staring up at the night sky through the branches of a willow tree.

I’ve already lived multiple lives, died and been reborn multiple times.  And I feel this has modified the way I see everything, the way I write, how I speak, probably even the structures in my brain.  In a moment of absolute strangeness and synchronicity—not to be believed but true nonetheless—my neighbor is playing the Pixies’ Where is my mind? (poorly) on the piano.  Good question.