Category Archives: Netflix
Comments Off on More Than Just a Familiar Formula—a review of Netflix’s Mute on Splice Today | tags: cyberpunk, Movies, Netflix, review, Splice Today, zombie culture | posted in aesthetics, cyberpunk, Genius, Movie Review, Movies, narrative, Netflix, politics, science fiction, Splice Today, zombie culture
Comments Off on I review Netflix’s recent series, Altered Carbon, on Splice Today . . . | tags: Altered Carbon, central casting, cyberpunk, derivative, Netflix, science fiction, William Gibson, zombie culture | posted in central casting, derivatives, Netflix, review, science fiction, William Gibson, zombie culture
Welcome . . .
I write fiction and nonfiction for magazines, work as a freelance writer / editor / journalist, and teach composition and fiction writing.
This blog is mostly dedicated to travel essays, creative non-fiction, discussions about books, the MFA experience, publishing, and short stories I’ve already placed in magazines. But I might write anything.
If you enjoy my free content, please consider supporting me on ko-fi.com: http://ko-fi.com/mdavis
Ko-fi allows me to receive income from fans of my writing. Anyone who clicks the link can support me with a with a ‘coffee’ (a small payment that is roughly equal to the price of a coffee).
“One of the functions of art is to give people the words to know their own experience. There are always areas of vast silence in any culture, and part of an artist’s job is to go into those areas and come back from the silence with something to say. It’s one reason why we read poetry, because poets can give us the words we need. When we read good poetry, we often say, ‘Yeah, that’s it. That’s how I feel.’” — Ursula K. Le Guin
Email me at:
or via my portfolio at Pressfolios
“If I were talking to a young writer, I would recommend the cultivation of extreme indifference to both praise and blame because praise will lead you to vanity, and blame will lead you to self-pity, and both are bad for writers.”
— John Berryman, The Art of Poetry No. 16, The Paris Review
“More Than Just a Familiar Formula” – Splice Today – February 2018 (https://www.splicetoday.com/moving-pictures/more-than-just-a-familiar-formula)
“STEM, Scientism, and the Decline of the Humanities” – Splice Today – February 2018 (https://www.splicetoday.com/on-campus/stem-scientism-and-the-decline-of-the-humanities)
“The NRA Isn’t the Problem” – Splice Today – February 2018 (https://www.splicetoday.com/politics-and-media/the-nra-isn-t-the-problem)
“Altered Carbon’s Love Affair with Central Casting” – Splice Today – February 2018 (https://www.splicetoday.com/moving-pictures/altered-carbon-s-love-affair-with-central-casting)
“Cui Bono: the Latest Conspiracy Theory in the Ongoing Disintegration of the GOP” – Splice Today – January 2018 (https://www.splicetoday.com/politics-and-media/cui-bono-the-latest-conspiracy-theory-in-the-ongoing-disintegration-of-the-gop)
Cruel Stars – Thrown Free Books 2017.
“You Can Do Magic, Honey” – Splice Today – December 2017 (https://www.splicetoday.com/moving-pictures/you-can-do-magic-honey)
“As the Leopard, So the Coliseum” – Splice Today – November 2017 (https://www.splicetoday.com/politics-and-media/as-the-leopard-so-the-coliseum)
“Hurricane Dreams” – Splice Today – August 2017 (http://www.splicetoday.com/writing/hurricane-dreams)
“Burning Down the House” – Splice Today – August 2017 (http://www.splicetoday.com/politics-and-media/burning-down-the-house)
“My Friend Has Gone Nazi” – Splice Today – June 2017 (http://www.splicetoday.com/writing/my-friend-has-gone-nazi)
“Fatal Vision: The Precipitous Exile of James Comey” – Splice Today – May 2017 (http://www.splicetoday.com/politics-and-media/fatal-vision-the-precipitous-exile-of-james-comey)
“Money is Thicker Than Blood” – Splice Today – April 2017 (http://www.splicetoday.com/politics-and-media/money-is-thicker-than-blood)
“The End of the Hustle” – Splice Today – April 2017 (http://www.splicetoday.com/politics-and-media/the-end-of-the-hustle)
“The Crying of Lot 45” – Splice Today – April 2017 (http://www.splicetoday.com/politics-and-media/the-crying-of-lot-45)
“Planespotting and the Persistence of Facts” – Splice Today – March 2017 (http://www.splicetoday.com/writing/planespotting-and-the-persistence-of-facts)
“Sater, Cohen, and the Collapsing House of Cards” – Splice Today – February 2017
“Speak of the Devil” – Splice Today – February 2017
“Bora Bora” – Human Parts – Winter 2017 (reprint)
“Bora Bora” – Ink & Coda – 4.1 Winter 2017 (http://www.inkandcoda.com/issues/4-1/bora-bora/)
“A Good Day to Die” – Splice Today – November 2016 (http://www.splicetoday.com/politics-and-media/a-good-day-to-die)
“When The World’s Turned Upside Down” – Splice Today – November 2016 (http://www.splicetoday.com/politics-and-media/when-the-world-s-turned-upside-down)
“Mother Blackbird” – Student Voices – November 2016
“The Witch!” – ReVue – November 2016 (http://bit.ly/2fxuQw5).
“Year of the Bastard,” “October Plums,” and “Burying Terrance Jackson” – Literati Magazine – November 2016 (http://bit.ly/2frHVbC).
“The State of Emergency” – Splice Today – October 2016 (http://www.splicetoday.com/writing/the-state-of-emergency).
“The Debate Did Not Take Place” – Splice Today – September 2016 (http://www.splicetoday.com/politics-and-media/the-debate-did-not-take-place).
“Weirdo: Visions of Future Past” – The Blather – Summer 2016 (https://t.co/3NGZ0k6nTO).
“Harmful if Swallowed” – Ginosko Literary Journal – Summer 2016.
“Cruel Stars” – The Writing Disorder – Summer 2015.
“The Forbidden City” – Forge – 8.4 April 2015.
“Ex Inferis” – Small Print Magazine – Winter/Spring 2014.
Winner of Redline magazine’s 2014 Urban Fiction contest and will be featured in their “Best of the Year” annual issue.
“Far Tortuga” – Isthmus – Issue 1. (http://www.isthmusreview.com/current-issue-2/)
“Some Go Dancing” – Earlyworks Press Short Story Contest Anthology – Winter 2013, Earlyworks Press.
“Ghetto Fabulous” – Atticus Books (The Atticus Review – http://atticusreview.org/ghetto-fabulous/) (2013)
“The Catherine Wheel” – Painted Bride Quarterly Print Annual 6 (2013): 115-120.
“Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut. So you think to yourself, My work will live on. As I’ve said many times, rather than live on in the hearts and minds of my fellow man, I would rather live on in my apartment.” — Woody Allen
- Goop? April 12, 2018
- Christmas 7 months away, but it’s always today. April 3, 2018
- Law School and Self-Worth March 17, 2018
- More Than Just a Familiar Formula—a review of Netflix’s Mute on Splice Today February 27, 2018
- STEM, Scientism, and the Decline of the Humanities – my latest on Splice Today February 19, 2018
“I make the road. I draw the map. Nothing just happens to me…I’m the one happening.”
—Denis Johnson, Already Dead
- Sometimes Terrence McKenna is the only one who seems to make any kind of sense. Other times, he starts talking abou… twitter.com/i/web/status/9… 2 hours ago
- RT @SenMarkey: BREAKING: New poll shows 86% of Americans oppose gutting #NetNeutrality. Democrats and Republicans agree – the internet shou… 1 day ago
- Ex-FBI No. 2 alerted then-FBI chief Comey of plans to talk to press: lawyer ino.to/02yUYdI 1 day ago
- Tyler Childers: NPR Music Tiny Desk Concert youtu.be/lkDYKk9k-2E 1 day ago
- ICE agents remove legal foreign worker from farm, threaten farmer when questioned about having a warrant ino.to/42KNOKf 1 day ago
“At the age of 25 most people were finished. A whole god-damned nation of assholes driving automobiles, eating, having babies, doing everything in the worst way possible, like voting for the presidential candidate who reminded them most of themselves. I had no interests. I had no interest in anything. I had no idea how I was going to escape. At least the others had some taste for life. They seemed to understand something that I didn’t understand. Maybe I was lacking. It was possible. I often felt inferior. I just wanted to get away from them. But there was no place to go.” — Charles Bukowski
“You could lose it, your right big toe, leave it here, in this mud, your foot, your leg, and you wonder, how many pieces of yourself can you leave behind and still be called yourself?”
— Melanie Rae Thon, First, Body
“After you finish a book, you know, you’re dead. But no one knows you’re dead. All they see is the irresponsibility that comes in after the terrible responsibility of writing.” — Ernest Hemingway
“When one is too old for love, one finds great comfort in good dinners.” — Zora Neale Hurston