You are currently browsing the tag archive for the ‘Philosophy’ tag.
There are many different paths to greatness, not just the ones most commonly identified by conformist culture. As long as your basic needs are met, where you put your energy—how you pursue excellence—is completely your business. Realizing this can be difficult and gradual.
It seems true, even if we admit that discourses (value systems) will always compete with each other for dominance. And one of the most ruthless and rapacious, at least in the West, is that of “meritocracy.” A meritocracy is inherently based on an assumed set of cultural values. But you need to realize that you are free to opt out of those assumed values. What the masses consider to be good doesn’t have to define your life.
If you don’t accept meritocratic cultural values, merit-based judgments by those who do are irrelevant. In other words, it is a mistake to impose the rules of a game on someone who refuses to play; though, because discourses will compete with each other, people will usually try to impose their personal values-discourse on you. Often, they will do so because they’re not aware of alternatives. They may not even remember the moment they chose to buy in. And they may not understand that imposing values on someone else is an act of violence.
Remove the question of merit (and its various implications) and the locus of meaning in life shifts (possibly returns) from an external authority to the individual. One arrives squarely within Viktor Frankl’s “Will to Meaning“—not seeking meaning / value relative to others, but exploring what is already resonant / resident in the self. “Thy Will be Done” becomes “My Will be Done,” with all the freedoms and responsibilities arising from that shift.
It makes no difference if your private world is idiosyncratic to the point at which it would seem very strange to more common sensibilities. As long as you’re not behaving like a hypocrite by harming or otherwise curtailing the autonomy of others, your interiority (including the way you choose to perceive the world outside your self) is completely yours. And it doesn’t seem outrageous to conclude that this is how it should be. If you don’t own your thoughts, can you ever own anything else? In fact, it seems that the more you personalize your unique way of seeing and acting in the world, the stronger and more persuasive that uniqueness becomes.
Because discourse is grounded in conflict and competition, this self-originating, self-describing narrative you are spinning can have a destabilizing effect on others, who may accuse you of being a delusional, a dreamer, someone out of touch with (what the dominant culture considers) reality. But if it works for you, isn’t it the right thing? Isn’t that choosing inner freedom instead of pledging fealty to ideas and to a lifestyle that was designed (or emerged) without you particularly in mind?
Walking away from a meritocracy takes a lot of courage and effort. Because you are a social being, it can involve a certain amount of suffering, alienation, and lonesomeness. You risk being called a deviant, being labeled as a disaffected undesirable. Even if you don’t agree with those judgments, they will still hurt. Hopefully, your growing curiosity about your own sui generis greatness and freedom will mitigate that pain.
You might call this the “inward path,” the “artist’s way,” or “the path beyond the campfire” which leads into dark unmapped places, where all new things wait to be discovered.
A fortune teller in Northern California looked at my palm and said, “You’re going to lead an unnaturally long life.” Then she slid my money back across the table and added, “I feel bad for you.” This was in 2008 or 2009. My memory of the year is less distinct than the mournful expression on her face, how she pulled off her chintzy Madame Sofia veil, leaned back, and lit a cigarette as if to say, sorry, kid, that’s how it is.
I was supposed to pay her $30 for 30 minutes, but we sat there for almost two hours while she read my tarot cards. By the time she got around to looking at my hands, she’d already told me three important things about my future. I was going to travel across an ocean. I was going to do things no one in my family had ever done. And I was going to outlive everybody I knew. As of 2018, two of those three predictions have come true.
It’s amazing how quickly life can change. You leave the house every day and say, this is the job I do. This is the market where I shop. This is the person I live with. These are the faces I see as I walk down my street. This is the field with daisies nodding in the wind. This is me. For the moment, at least, this is me.
And if you succeed, if you’re healthy and disciplined and dedicated and proficient, if you don’t weaken and get that regular colonoscopy and save your money, you might last long enough to see all your variables change. Then you’ll say, this is me—isn’t it? But you won’t know how to answer. You’ll remember the fortune teller saying, “I feel bad for you,” and you’ll understand what she meant. You won’t know how to recognize yourself. You’ll be a survivor. And nobody actually ever wants that. The last man standing is, by definition, all alone.
Some of us die and are reborn in a single lifetime. In my four-and-a-half decades, I’ve already lived several full lives, played roles that had perfectly formed inciting incidents, climaxes, and denouements, which in earlier times or in other places could have described the total breadth and depth of a person’s lived experience. I’m 44 years old, not too old but not that young, either. Most days, I look 10 – 15 years younger than that. Is that good?
I spend a lot of time lost in my own head, reading, walking around and looking at things. And I’ve managed to orchestrate a life where I can do that. I can become fascinated by very simple experiences, the wind in different kinds of trees, for example, or the way sound echoes on the canal beneath my bedroom window. There’s a lot going on everywhere you look. Sometimes, it’s hypnotic. Sometimes, it’s beautiful. Sometimes, it makes me want to scream for a real long time. The world is too much. It isn’t interested in making sense or being rational. We’re the ones who make it matter. But do we really?
I don’t recommend going to fortune tellers very often. If they’re good, you’ll know too much. If they’re bad, you’ll be wasting your money. If they’re stupid, you’ll feel stupid. And if they’re clever, you’ll feel even more stupid. A fortune teller is like a bad pizza. You paid for it. So you’re going to eat it. You might feel disgusted afterwards. You might not want to talk about the experience. You might want to put it away in the file labeled Decisions About Which I Will Feel Forever Ashamed and vow never again. But you’ll probably be back.
It’s how magical things work. It’s how art works. You go see the performance piece at the museum and it has some guy drenched in urine and suspended upside-down by fish hooks from the ceiling for hours over plaster of Paris horses having sex. And you think, wow, that is neither pleasing to the eye nor conceptually interesting. It’s pretentious and it’s trying way to hard to be something that isn’t boring. You write scathing things about it on your blog. You try to put it out of your mind because you know that every minute you spend thinking about it is a minute you’ll never get back. But six months later, you go, I wonder what’s showing at the museum. So do you want anchovies on your plaster horsefucking pizza this time? Of course you do. Want to know the future? Just let me shuffle these cards.
I took piano lessons as a kid. I was very serious about them. My teacher was a professor in the music department at the university. He was a lot like Mr. Rogers. He radiated that improbable blend of whipsmart intelligence shrouded in simplicity and humor. He was a remarkable man, a truly gifted person who knew how to appreciate life. And one of the things he really appreciated was teaching children classical piano. I learned an immense amount about how to be a decent human being just by spending time with him.
I remember us sitting in a room with about 50 grand pianos. He played a single note and we listened to it until it passed away. Then we discussed its shape, its color, its temperature. There was an entire life in that sound, a whole universe from the big bang to the last chapter of the Book of Revelation with dinosaurs and empires and prophets and an Industrial Revolution and fiber optics and climate change and insane politicians and Mad Max and the heat death of a wandering star. All we had to do was listen. And, like gods, we knew we could always play another note—that, in fact, we or someone of our great pantheon would play another one and would inevitably bring another cosmos into being.
Years later, far away at a different university, I’d study the Metaphysical Poets and I’d encounter Thomas Traherne’s poem, “Shadows in the Water.” It contains these lines:
I my companions see
In you, another me.
They seeméd others, but are we;
Our second selves these shadows be.
And I’d write a half-baked undergraduate essay on the metaphysics of sound as expressed through the semiotics of Traherne’s mirror imagery. Fabulous. The only important thing about it was that I remembered listening to my piano teacher play that note when I read “Thus did I by the water’s brink/ Another world beneath me think” and thought: exactly. Our second selves these shadows be. The gods look down from Olympus and see their reflections in us as we, in turn, look and listen to our own universes encapsulated in the breadth of a single note—as above, so below. Quod est superius est sicut quod est inferius, ad perpetranda miracula rei unius. I’ve lived many lives, been reborn into many universes. Godlike, I’ve brought universes into being.
All being depends on context, which is to say, on the existence (meaning) of a universe. One of the many reasons I love Carl Sagan is that he said, “If you wish to make an apple pie from scratch, you must first invent the universe.” This is as true for the pie as it is for the pie maker—they both depend on the existence of a universe to contain them and give them meaning. By extension, if the pie maker is the last man standing in his universe, all meaningful correlation between the existential condition of the pie and that of the universe eventually breaks down.
In short, one can only eat one’s own apple pies in solitude for so long before one goes insane. The existence of a pie implies both future and past in space: in the future, someone will sit in a landscape and eat the pie which the pie maker made in the past. Because of this, if you succeed at the game of life, I will feel bad for you.
You will outlast your universe; your apple pies will no longer be meaningful. You will survive and will have no one for whom you can make an apple pie or anything else. You will see the sky fall, the stars burn out, the destruction of the world. You will be haunted by memories of times long past and people you loved and wars that no one remembers. That is a truly horrible fate. Do you want to win this game? For your sake, I sincerely hope not.
Looking at photos of relatives from the early 20th century, I’m struck by how incredibly normal they look, how I could walk down any street and see the same faces. Such an insight comes easily since I live near the locus of my ancestral lines, but I think it’s a realization one could have anywhere. Stare into the faces of passers by and you will see many physical and psychological reflections of yourself, as if the genetic mirror were shattered, replicating the same fate, the same consequences, the same inner struggles across continents and generations.
Someone once said that all wars are the same war, that all short stories are just one long story, and that all people—no matter how diverse or alien they may seem on the surface—are actually one life and one humanity engaged in one struggle playing out simultaneously in every heart and mind. Being a gifted dancer, Michael Jackson once put it like this: “Consciousness expresses itself through creation. This world we live in is the dance of the Creator. Dancers come and go in the twinkling of an eye but the dance lives on.”
This is the 2000-year-old concept of Nataraja, the image of Shiva as the cosmic dancer who dispels illusion and reveals a higher truth. As part of the dance of time and space, forms rise and fall—in the microcosm of the individual mind and in the macrocosm of all creation—but the dance itself, the maelstrom of change, remains constant as an expression of something else, something beyond the perception of transient things. The ancient sages and priests of the Madhya Pradesh and Kashmir regions first portrayed Shiva this way around 6 C.E. in temple statues and paintings, depicting a true, eternal, changeless Self that is simultaneously immanent in every person and transcendent in the ubiquitous I AM.
Ram Dass, in Polishing the Mirror, expresses this when he writes, “The only thing you really ever have to offer another person is your own state of being.” Or whatever you offer to others, you are also confirming and offering as part of yourself. This posits an equals sign between people, not an arrow, a plus, or a minus. Is there anything new under the sun? Ecclesiastes says no. Read enough literature and I think most people will be inclined to agree: we find meaning in another because that meaning resonates in ourselves. Yeats wrote that ultimately it is not possible to distinguish the dancer from the dance. Repair the shattered mirror, the broken and limited perception of others that sees them as irreparably isolated from us, and a higher octave of meaning is revealed. We are isolate. We are also one. And, in our ultimate oneness, “we” and “are” and “one” cease to have any meaning and the truth of existence becomes evident.
Pay attention to your ancestors, to their lives, to the things they did and said. See yourself in them as one being. Then see yourself in others, in everything. Look past the superficial trivia that limits your understanding and obscures the truth of the matter: assumptions about linear progress (originally post-Enlightenment / Victorian but now, with our current STEM fetishism, solidly reductive materialist and technocratic) depend on an unexamined and distracted mind. There is no new thing under the sun in any meaningful sense. The are only forms, rising and falling, being born and dying.
Start paying attention to this. Start asking, Who am I? Start asking, Who is it that asks, “Who am I?” Go deep, beyond the forms. You are not those things. Get to the point where you can perceive the dance always taking place, the energy of creation itself, which is expressed as movement, as change. This is also synonymous with the highest, emptiest, most profound form of awareness. That is what we are.
“After negating all of the above-mentioned as ‘not this’, ‘not this’, Awareness alone remains – that I am.” – Ramana Maharshi
Reeling this morning from my all-Trump-all-the-time ulcer-inducing news feed of despair, I closed my eyes and focused on my breathing. I’ve been a compulsive news reader since I learned how. And, for the last few months, my morning habit has evolved into a kind of shamanic pathworking. Not the startup-bro takes ayahuasca at Burning Man to dream up new apps sort of thing. More like: I drank the cobra venom and I might be having an aneurysm but, if I live, I’ll probably learn something. Because that’s why we read the news, right? To learn something?
My wife walked into the room, looked at me breathing in front off the laptop, and walked out. After living with me for close to two decades, she deserves a merit badge for humanitarian service. I accept this. Nevertheless, we can’t bring ourselves to compromise on certain things—when the enfant terrible will be impeached, for instance, or when certain GOP representatives will disrobe and start flinging fecal matter at Rand Paul live on CSPAN. You can’t agree on everything.
But one thing we do agree on is that, after reading political posts for an hour, one should not look at emails, blogs, or news about the academic job market or the entertainment industry. Doing so inevitably weaponizes the cobra venom to such an extent that instead of a golden journey to Ixtlan with Don Juan, one finds oneself slipping down to Xibalba with the Lord of the Smoking Mirror. Ghost jaguars. Shrieking bats. Night winds. Tentacles. The American Healthcare Act. Steve Bannon in a bone necklace gesticulating at the moon. A real bad trip.
I was just about to read some Penelope Trunk on why it’s better to marry for money and get therapy instead of going to graduate school for an MFA when my wife came back in and asked me if I’d lost all sense.
“I’m, uh, reading.”
“Why do you do this to yourself?”
“Because, um—what am I reading? Shit!”
I was still in a trance. Penelope had already led me partway down to Tezcatlipoca’s Place of Fear and Torment. I closed her blog and the five newspapers I had open in the browser before I could go any further, but the damage had been done. You never emerge from a news pathworking unscathed.
For example, I’d read in the L.A. Times that Dave Chappelle just cut a $60 million dollar deal for 3 Netflix comedy specials at $20 million per special. And, in all honesty, I got the same feeling I’ve had in the past while reading about Trump filing Chapter 11 six times and defrauding his contractors while possibly laundering money for the Russian mob; Bannon and Puzder beating their wives; and a recently fired U.S. Attorney getting headhunted to teach at NYU as a sweet payoff in which he can “continue addressing the issues I so deeply care about.” Right.
There’s something sickening there, like justice has nothing to do with any of it—just graft and lots of vigorous lying. How many gold-plated toilets do any of them need? I got a very unsettled feeling in the pit of my stomach as I tried not to think that such things exist in the same world as the famine in Sudan or North Korean death camps or the East Chicago water supply so full of lead that 1000 residents are being asked to relocate. Don’t play in the dirt, kids. Just Netflix and chill.
Still, reading about Chappelle was a nice break from the moral Andrea Doria taking place on Capitol Hill, even if the obscene payout did make me a bit nauseated. I think Dave Chappelle is one of the funniest people on the planet. He’s brilliant. There is a very small cadre of extremely talented comedians in the world, of which he might be the foremost member. Very few entertainers are on his level and he definitely deserves to get paid for his work. There’s no question about that. But $60 million on top of all the millions he’s already made seems a bit excessive, no? How about that children’s hospital in Sudan where so many children need help that “the hospital has run out of beds”? I wonder what a quarter of a million could do there? I wonder what $1000 could do.
If anything, the article on Chappelle caused me to start thinking philosophically about what an amount of money like that really means in the life of any individual. I know you can buy a lot of bottles of Pernod-Ricard Perrier-Jouet. And I know you can reach a level where everything becomes relative. If you’re partying with the rich and famous all the time, $60 million might still be an important chunk of change, but maybe it’s not as much, relatively speaking, as one imagines at $50,000 a bottle.
I find myself thinking, what if Dave took 2 of those $60 million (he’d still come away with $58 million, which would be enough to purchase several small islands and a Bavarian castle) and devoted that fragment of his inconceivable wealth to changing someone’s life or the lives of several people who could would clearly and directly benefit? What could be done for someone who can’t afford a prosthesis, for example, or someone living in a shelter who doesn’t have the resources to get back into the workforce, or a family in the Rust Belt living in a transient hotel because they lost their house? Such people aren’t hard to find right at home in the great United States.
Moreover, it may be that someone with over $60 million in the bank could easily hire the right assistants (a whole team, a task force, an entire building’s worth of henchmen and secretaries) to make something like that happen ricky tick. We’ve seen far stranger things in the media lately. We’re bound to see stranger things in the months to come.
Cool dude.
I know Dave has been involved in a lot of charitable events and donated his time to good causes—all of which is as admirable as his talent. But I’m not talking about that. I’m talking about direct action in the lives of people who would be forever changed. Is that naive? It’s certainly not as easy as giving a NGO a big tax-deductible donation or volunteering to participate in a charitable event. Then again, genius-level comedy isn’t easy, either. It takes guts, brilliance, a gift, and the determination to make it happen—just like anything good in life.
Someone in college once said to me, “Yeah, money can’t buy me love, but a certain amount of money will give me the power to make finding it more likely.” I thought about that for years before concluding that it was pure garbage. You can find love in a ghetto. You can find love in a refugee camp. You can find love after everything has been taken away and you think your life is over. As my wise grandmother used to say, “If someone loves you, they’ll come and spend time with you while you mop the floors in a slaughterhouse.”
That seems right. Quality is not quantity. And love, happiness, tranquility, and the satisfaction of doing good work are all priceless, being essentially internal achievements and therefore free to all human beings. But one thing money can do is create conditions for healing the world. And that matters, maybe more than anything. Why do I bring this up after too much Sean Spicer on a Wednesday afternoon? Because it’s been making me ask myself the same old question: What is good? And, once again, I must conclude that quality and quantity are mutually exclusive categories. Show me what you’re doing. Show me how you’re going to heal the world. Then I’ll tell you what’s good.
What is it like to be Dave Chappelle—to be a brilliant artist and to have so much money that it sets you apart from every other artist in your field, except for a very exclusive group of people who happen to be as fortunate and gifted as you are? I have no idea. I do know, like most people, I love his work. But, at the same time, I think of the dreams most people have of a little house with a dog and a garden somewhere quiet where they don’t have to live in fear, of no more crushing debts, of a dental plan, of their kids having reasonable chances to work for a decent future, and of some kind of profession that doesn’t produce night terrors. And I know what it isn’t like to be Chappelle.
These are very modest dreams, but they’re ones that most sincere people have. Most people don’t need half or a quarter of a million to realize such dreams. Most people don’t need or want a super yacht, don’t need to be on the board of the Bank of Cypress, don’t need a tower in midtown Manhattan with their names way up on top in gold. Shit, most people don’t even need tenure—even though the failed sideshow entertainer who passes for our President wants to destroy PBS and the NEA just for kicks; even though, for 30 years, the academic job market has been run by people who dress up in SS uniforms and burn offerings to Ronald Reagan in their secret masturbatoriums. But I know reading about such things is imprudent. It’s Paul Ryan’s Popul Vuh.
So I’ll be trying to detox from the news for the rest of the day. Maybe I’ll work on my novel while I wait for the next paid writing assignment to appear in my inbox like sweet life-sustaining mana from heaven. One thing I won’t be doing is reading any more about Dave Chappelle discovering El Dorado. Because I feel reasonably certain that today someone’s going to die because of money and it won’t be him.
